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Lewis Carroll
Alice
Adapted by Stephen Angus and Zeljko Djukic
May 1st - June 8th 2003
Chicago Dramatists Theatre
1105 W. Chicago Avenue
Chicago, IL 60622
Cast
Bob Kulhan (White Rabbit)
Martin Marion (Red King)
Trey Maclin
Jacqueline Stone (Cheshire Cat)
Matthew van Colton (Caterpillar)
Jennifer Byers (Red Queen)
Heather Evans (Humpty-Dumpty)
Matt Shallenberger
Alzan Pelesic
Set Tanja and Stjepan Ros, Costume Natasa Djukic, Lights Keith Parham, Movement Shane O'Hara, Graphic Chien Yuan, Costume painting Valentin Ion, Props Alex Grennan, Stage manager Cindy Savage, Assistant Stage manager P.J. Schoeny, Sound operator & AMS Andrew Glasenhardt, Technical director Stephen Angus, Photos Suki Medencevic
PRODUCTIONS
Fulton Street Sessions | The Wedding (remount) | baal | The Wedding | Uncle Vanya | Maria's Field | The Most Excellent and Lamentable Tragedy of Romeo and Juliet | Uncle Vanya | It's Only the End of the World | Tracks | Tracks | Huddersfield | Still Life in Color | Birds | Rules for Good Manners in the Modern World | The Sweet Little Prince | Mozart and Salieri | Alice | The Hour We Knew Nothing Of Each Other | Quartet | The Wedding/The Chalk Cross/The Beggar
". . . Offering a glimpse into a unique, vibrant corner of world theater." -Chicago Reader
"TUTA has produced a diverse repertory of Eastern and Western European plays in its twelve year existence, attracting a small but passionately devoted audience and garnering a critical reputation for productions that combine the highest caliber artistic achievement with cogent social and cultural critique. - Cheryl Black in Slavic and East European Performance 27, no. 1 (Winter 2007)
"Unlike anything else in Chicago, and in this town, that means a lot." - Chicago Tribune
". . . With his own company, The Utopian Theatre Asylum, Djukic has brought to Chicago audiences a rarified and often exquisite series of visions by way of a variety of literature." -Chicago Tribune
"Most tantalizing of all (new plays of 2006), were the two Serbian plays given their American premieres by TUTA, Ugljesa Sajtinac's Huddersfield and Milena Markovic's Tracks, both of which brutally examined the wrecked lives of twentysomethings in the wake of the Balkan wars. . . In two dangerous, fearlessly acted productions, TUTA proved that serious plays and young people don't have to be oil and water." -TimeOut
©2002-2010 TUTA is proud member of The League of Chicago Theatres. TUTA is partially supported by National Endowment for the Arts, Gaylord and Dorothy Donnelley Foundation, The Morris and Mayer Kaplan Foundation and City Arts, The Elizabeth F. Cheney Foundation, The Chicago Community Trust, ArtWork Fund, Boeing, The Wrigley Foundation, The Richard H. Driehaus Foundation, The Elizabeth F. Cheney Foundation, and a Community Arts Assistance Program grant from the City of Chicago Department of Cultural Affairs and the Illinois Arts Council, a state agency, and Promet Source. Send comments and questions to info@tutato.com.