Baal photo gallery (2010). Photos by Natasha Stojkovic
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Bertolt Brecht
baal
Translated by Peter Tegel
Directed by Zeljko Djukic
May 20th - June 20th, 2010
Chopin Studio Theatre
1543 W. Division Street
Chicago, Illinois 60622
Cast
Jacqueline Stone (Emilie)
Lindsey Gavel (Johanna)
Dana Black (Luise, Older Sister, Savettka, Maja)
Stacie Beth Green (Sophie)
Ben Harris (Johannes, Pianist, Woodcutter)
Rachel Rizzuto (Younger Sister, Young Girl)
Dana Wall (Mjurk, Pschierer, Gougou, and others)
Steve Hadnagy (Mech, The Beggar, and others)
Ted Evans (Piller, Bolleboll, Watzman, and others)
Peter Oyloe (Ekart)
DESIGN & PRODUCTION STAFF
Original Music by Josh Schmidt
Musical Director Wain Parham
Scenic Design Brandon Wardell
Costume Design Natasha Djukic
Lighting Design Keith Parham
Sound Design Chris Kriz
Prop Design Joel Lambie
Production Manager Jeremy Wilson
Stage Manager Helen Lattyak
Dramaturg Jacob Juntunen
PRODUCTIONS
Fulton Street Sessions | The Wedding (remount) | baal | The Wedding | Uncle Vanya | Maria's Field | The Most Excellent and Lamentable Tragedy of Romeo and Juliet | Uncle Vanya | It's Only the End of the World | Tracks | Tracks | Huddersfield | Still Life in Color | Birds | Rules for Good Manners in the Modern World | The Sweet Little Prince | Mozart and Salieri | Alice | The Hour We Knew Nothing Of Each Other | Quartet | The Wedding/The Chalk Cross/The Beggar
". . . Offering a glimpse into a unique, vibrant corner of world theater." -Chicago Reader
"TUTA has produced a diverse repertory of Eastern and Western European plays in its twelve year existence, attracting a small but passionately devoted audience and garnering a critical reputation for productions that combine the highest caliber artistic achievement with cogent social and cultural critique. - Cheryl Black in Slavic and East European Performance 27, no. 1 (Winter 2007)
"Unlike anything else in Chicago, and in this town, that means a lot." - Chicago Tribune
". . . With his own company, The Utopian Theatre Asylum, Djukic has brought to Chicago audiences a rarified and often exquisite series of visions by way of a variety of literature." -Chicago Tribune
"Most tantalizing of all (new plays of 2006), were the two Serbian plays given their American premieres by TUTA, Ugljesa Sajtinac's Huddersfield and Milena Markovic's Tracks, both of which brutally examined the wrecked lives of twentysomethings in the wake of the Balkan wars. . . In two dangerous, fearlessly acted productions, TUTA proved that serious plays and young people don't have to be oil and water." -TimeOut
©2002-2010 TUTA is proud member of The League of Chicago Theatres. TUTA is partially supported by National Endowment for the Arts, Gaylord and Dorothy Donnelley Foundation, The Morris and Mayer Kaplan Foundation and City Arts, The Elizabeth F. Cheney Foundation, The Chicago Community Trust, ArtWork Fund, Boeing, The Wrigley Foundation, The Richard H. Driehaus Foundation, The Elizabeth F. Cheney Foundation, and a Community Arts Assistance Program grant from the City of Chicago Department of Cultural Affairs and the Illinois Arts Council, a state agency, and Promet Source. Send comments and questions to info@tutato.com.